Motion track shot used a phantom with an anamorphic lens. I was the cinematographer that shot all the non motion track and exterior footage with an Epic using Kowa anamorphic grass and Optimo 24-290mm zoom.   

Shot on the RED Epic

A little tip of the hat to “Drive” from my last shoot (Taken with Instagram)

One of the first things shot on my RED Scarlet in NYC 

Director: Tyler Yee
Producer: Matt Bauerschmidt
DP: Bobby Bruderle 
DP: David Reece
Camera Opp: Jeremiah Fry
Make Up: Emily Bess
Art Dept: Kayln Vallot
Line Producer: Abby Hardy

Special thanks:
Benjamin Reece, Chloe Dickinson, Jake Pett, Owen Bruce, Annabel Willis, Devon Baldwin, Ari Lewis

G-Eazy - ‘Marilyn’ feat. Dominique LeJeune (Produced by G-Eazy)

All ready to go #redscarlet (Taken with Instagram)

 Here is a small clip of the latest lighting test. Shot with the RED Scarlet at 800 ASA with a 35mm at f4.0 and a  ND fadder on the lens.The goal was to light a scene that has a window that has no ND on it in the back ground. With the aid of two LED lights in soft boxes and the 13 stops of DR I think I was able get some good results. The outside light was at high noon.

Form the same lighting test as before. The goal was to light a scene that had windows in the background. I only had time to set up to lights. I would have bounced a light behind the camera for a little more fill. (Taken with instagram)

Lighting test with my wife @reecec. Shot with #redscarlet at 800 ASA, 85mm at f4.0, hight noon outside light with two LED lights in soft boxes, and post color in REDcine-x. (Taken with instagram)

Lighting test on a flat cloudy day. Using: my wife, 1000 bulb LED, soft box, #redscarlet, pol. filter, and in post Redcine-x (Taken with instagram)